Ars Longa, Vita Brevis
MY OPINION IS FACT
Ars Longa, Vita Brevis
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pricebullington:

Jean-Michel Basquiat
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Qi Baishi (1864 - 1957) - Peony
[source]
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leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
leseanthomas:

NYC in the 1980s.Love.Memories.”After picking up a camera at the age of 15, Jamel Shabazz has been unknowingly become the first “visual documentarian” of hip hop. For over 30 years he’s captured the world around him. Every frame  of that world is a time portal that sparks emotion stemming from the scenes they represent. And if there is ever a glimpse into the foundations of street wear and its surrounding culture, it can be found in the pages of his first book.
“Back In The Days” is real deal documentation as it pertains to the origins of hip hop, not to mention hip hop fashion. No 2oK a day models. No makeup artists. No food trucks. The models in the book don’t need runways because they lived the life of style. Jamel Shabazz was there to capture it all.”Purchase here: http://www.jamelshabazz.com/monographs.html
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jibadojo:

Kodan Isseki
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pricebullington:

George Condo
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pricebullington:

Price Bullington, Study After Francis Bacons Study After Velazquez’s Portrait of Pope Innocent X, 2013
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design-is-fine:

Lothar Quinte, Geteilter Kreis. Farbserigraphie, 1967. Source
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design-is-fine:

Alberto Meda, light-light chair, 1986-88. Carbon fibre. For Alias. “An ingenious interpretation of new technologies”. Triennale Design Museum, via Domus. Sketch: Source. Photo 3: Vitra Design Museum
design-is-fine:

Alberto Meda, light-light chair, 1986-88. Carbon fibre. For Alias. “An ingenious interpretation of new technologies”. Triennale Design Museum, via Domus. Sketch: Source. Photo 3: Vitra Design Museum
design-is-fine:

Alberto Meda, light-light chair, 1986-88. Carbon fibre. For Alias. “An ingenious interpretation of new technologies”. Triennale Design Museum, via Domus. Sketch: Source. Photo 3: Vitra Design Museum
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contemporaryartdaily:

Ettore Spalletti at GAM
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sonjabarbaric:

Thierry Feuz, Supernatural
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pricebullington:

Brigitta Rossetti